Players of the bass section of the Concertgebouw Orkest

Felix Lashmar – I have now fully switched to using 050rosin. As things stand, in the early stages of a player having just shifted away from Pops, the ‘Soft’ cake is my main rosin. I have also found that the ‘Hard’ cake has its utility for my playing when dosed in a little bit with the ‘Soft’ cake.

I have a ‘Hard’ cake in my bow case, if I want to play the kind of solo piece that invites shine and the desire to sink into the string more. And possibly also a good weapon if I find myself having to play in an orchestra in a really humid and hot climate.

Theotime Voisin – “The ‘Soft’ cake is a great rosin for the orchestra, it has a really nice sound quality and is plenty sticky ! For even heavier playing, I’ve had fun experimenting with the more recently made, ‘very soft cake’.”

Nicholas Santangelo Schwartz – “Sticky icky !! These are fun, soft rosins. From ‘Sticky Nicky’.

Marietta Feltkamp – “These are the rosins I have been waiting for my whole life. Sticky, but the sound stays good. No ugly noises and it does not dry out.’ 

Luís Cabrera

Marco Diaz

Signe Førre

https://signeforrebass.wixsite.com/signeforremusic

Teodora Nedyalkova

Teodora is the artistic director and principal cellist of Kamerorkest van het Noorden, an innovative and socially engaged ensemble that connects classical music with new audiences through interdisciplinary projects and educational outreach across the Netherlands.

She performs with various chamber music groups both in the Netherlands and abroad, throughout Europe, China, and Mexico. Her work has been awarded multiple awards and grants for artistic excellence.

Gabriele Basilico

Esat Ekincioglu

www.esatekincioglu.com

“The unbridled way in which this wild man from Turkey tackled his double bass unceremoniously elevated him to primus inter pares. The solo piece ‘Freedom Jazz Dance’ became a ‘Freedom! Jazz! Dance!’ ” Draai om je oren, NL

“He lives in complete symbiosis with his double bass.” Het Nap Magazine, HU

“Highlights included the AVA Trio, a heady blend of double bass, saxophone and Middle-Eastern style percussion. Esat Ekincioglu’s battered looking instrument appeared to be patched up with gaffer tape, but that didn’t impede his gutsy playing.” Jazzwise Magazine UK

Stefano Sciascia

Lee Man Hon Marco


Lee Man Hon Marco was born in Hong Kong. He studied double bass since he was 12 years old. He entered the Hong Kong Academy for Performing Arts in 2017 to study with Mr Zong Xiaoqian, the former principal of the Hong Kong Philharmonic Orchestra. While studying at the Hong Kong Academy for Performing Arts, Lee participated in performances with the Hong Kong Philharmonic Orchestra and the Hong Kong Sinfonietta. In 2018, he was honoured to be selected to perform at the Koninklijk Concertgebouworkest of the Royal Concertgebouw Orchestra in Amsterdam and studied and performed with Mr Dominic Seldis, the principal double-bassist of the orchestra.

After graduating from the Hong Kong Academy for Performing Arts in 2021, Lee won the ABRSM Scholarship and went to the Royal Academy of Music to enrol in the Master of Music program, majoring in double bass and minoring in conducting. Lee followed Prof. Graham Mitchell, the current dean of the string department of the Royal Academy of Music, Prof. Dominic Seldis, the principal double-bassist of Koninklijk Concertgebouworkest, and Tom Goodman, the double-bassist of the London Symphony Orchestra, and completed the master’s program in 2023. During his stay in the UK, Lee played in the London Symphony Orchestra, Royal Philharmonic Orchestra, Scottish Chamber Orchestra, and London Philharmonic Orchestra, and won the first runner-up in the 2021 London Symphony Orchestra Concerto Competition. He has studied with many musicians in different orchestras, including those from the Berlin Philharmonic Orchestra, Singapore Philharmonic Orchestra, and BBC Radio Philharmonic Orchestra.